Invisible: A critical digital artwork as performance

Hye Yeon Nam, Zachary Berkowitz, Edgar Berdahl

Research output: Chapter in Book/Report/Conference proceedingConference contribution

1 Scopus citations

Abstract

This paper demonstrates Invisible, a critical digital artwork as performance in a conceptual framework derived from performance studies. Invisible exemplifies how digital art can reflect and influence critical thinking by focusing on three key features of performance studies: constitutive, epistemic, and critical. This intersects with Human-Computer Interaction (HCI) in a digital art context, which addresses inspirational roles of digital art.

Original languageEnglish (US)
Title of host publicationCHI 2017 Extended Abstracts - Proceedings of the 2017 ACM SIGCHI Conference on Human Factors in Computing Systems
Subtitle of host publicationExplore, Innovate, Inspire
PublisherAssociation for Computing Machinery
Pages1399-1404
Number of pages6
ISBN (Electronic)9781450346566
DOIs
StatePublished - May 6 2017
Externally publishedYes
Event2017 ACM SIGCHI Conference on Human Factors in Computing Systems, CHI EA 2017 - Denver, United States
Duration: May 6 2017May 11 2017

Publication series

NameConference on Human Factors in Computing Systems - Proceedings
VolumePart F127655

Other

Other2017 ACM SIGCHI Conference on Human Factors in Computing Systems, CHI EA 2017
Country/TerritoryUnited States
CityDenver
Period5/6/175/11/17

All Science Journal Classification (ASJC) codes

  • Software
  • Human-Computer Interaction
  • Computer Graphics and Computer-Aided Design

Keywords

  • Critical thoughts
  • Digital art
  • Performance
  • Physical interfaces

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