Abstract
While poetry has often been conceived of as a largely serious genre, it has multiple affinities with comedy. This chapter begins by briefly surveying our standard theories of humor: superiority, incongruity, relief. It then sets out the comic affordances of poetic form: form – whether strict rhyme, the freest of free verse, or something in between – can generate and reinforce comic effects. Taking its examples primarily from twentieth- and twenty-first century work, the chapter then defines three modes of humor: complaint, observation, and play. These interlocking modes demonstrate the range and complexity of humor in modern American poetry – and the conceptual instability that both poetry and humor share.
Original language | English (US) |
---|---|
Title of host publication | Handbook of American Poetry |
Subtitle of host publication | Volume 17 |
Publisher | de Gruyter |
Pages | 73-94 |
Number of pages | 22 |
Volume | 17 |
ISBN (Electronic) | 9783110595079 |
ISBN (Print) | 9783110592368 |
DOIs | |
State | Published - Jan 1 2025 |
All Science Journal Classification (ASJC) codes
- General Engineering
- General Arts and Humanities
- General Agricultural and Biological Sciences
- General Social Sciences
Keywords
- comic theory
- humor
- lyric poetry
- poetic form
- satire